Design Decisions in Interpreting a Script
Design as Interpretation
Design is not decoration — it is interpretation. Every set, lighting, costume, and sound decision in a production communicates meaning, establishes context, and shapes how the audience experiences the dramatic world. When you analyse design in an attended production, you are asking: what did this design choice communicate, and how effectively did it serve the interpretation?
Set Design
What Set Design Communicates
- The world of the play: realistic, symbolic, abstract, or deliberately estranged
- The dramatic context: period, place, social conditions, power structures
- The central themes: a set that uses water imagery communicates fluidity and instability; a set dominated by hard right angles communicates rigidity and confinement
- The actor’s relationship to space: does the set provide or deny freedom of movement?
Analysing Set Design
- What does the set look like, and what does it suggest about the world of the play?
- How does the set serve the director’s production concept?
- Are there symbolic or metaphorical elements in the set, and what do they communicate?
- Does the set enable or constrain the acting and directorial choices?
Lighting Design
What Lighting Design Communicates
- Focus: directing the audience’s attention to what is most significant
- Atmosphere and mood: warm or cool tones, bright or dim states, harsh or diffused quality
- Time and place: realistic illumination (daylight, streetlight) or non-realistic (symbolic, psychological)
- Character psychology: a character isolated in a tight spotlight suggests vulnerability or isolation
Analysing Lighting Design
- How does the lighting design control the audience’s attention?
- What emotional atmosphere does the lighting create, and is it consistent with the scene’s dramatic purpose?
- Are there specific lighting moments (a sudden blackout, a colour change) and what do they communicate?
Costume Design
What Costume Design Communicates
- Character identity: who the character is — their class, profession, period, personality
- Relationship between characters: how characters’ costumes relate to each other (similar or contrasting) communicates relationship and dynamic
- Psychological state: a character whose costume changes across the production reflects their inner transformation
- Theatre style: highly stylised costumes signal a non-naturalistic production; realistic costumes signal an attempt at period accuracy or Naturalism
Analysing Costume Design
- What does the costume immediately communicate about the character?
- How does the costume relate to the character’s arc — does it change, and what do changes signal?
- Is the costume consistent with the production’s overall design concept and theatre style?
Sound Design
What Sound Design Communicates
- Environment: creating the physical world of the play (birdsong, traffic, the sound of a factory)
- Atmosphere and mood: underscoring emotional states, creating tension or release
- Subtext: music or sound that contrasts with the action creates irony or complexity
- Transition and time: sound can signal time passing or a change in location
KEY TAKEAWAY: The strongest design in any area is coherent with the production concept and with all other design areas. A set that suggests Naturalism paired with Expressionist lighting creates confusion rather than meaning. Coherence is the standard against which design decisions are evaluated.
EXAM TIP: In your written analysis, address at least two design areas specifically for any production you discuss. Connect each design decision to the interpretation: “The designer’s choice to use a bare stage with a single chair communicated the character’s isolation while enabling the director to use the full stage space for movement choices that would have been restricted by a realistic set.”
COMMON MISTAKE: Describing what the design looked or sounded like without analysing what it communicated. “The set was white and clean” is description. “The white, clinical set design communicated the sterile emotional environment of the domestic world, undermining the characters’ claims of warmth and connection” is analysis.